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SUMMARY:Initiation à l'art de conter
DESCRIPTION:Qu’est – ce qu’un conte ? Dire les contes. Se servir des contes en bibliothèque et ailleurs. \nConférences de Marc Aubaret.
URL:https://www.euroconte.fr/event/initiation-a-lart-de-conter/
LOCATION:Bibliothéque Départementale d’Eure et Loire (28)
CATEGORIES:Archives,BDP
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SUMMARY:L’Appareil critique de l’art du conteur contemporain
DESCRIPTION:L’Appareil critique de l’art du conteur contemporain\n\n\nL’art du conte contemporain souffre aujourd’hui d’un manque de définition qui oblige ceux qui s’y intéressent à faire leur chemin sans aucune balise. Ce manque d’outils théoriques tend à favoriser une polysémie à la fois riche – dans le sens où elle multiplie des expériences singulières – mais aussi décourageante. En effet\, comment apprécier cet art s’il est confondu avec d’autres ? \nCe flou ne permet pas la reconnaissance  des formations et laisse la porte ouverte au meilleur et au pire. Il interdit aussi les critiques constructives nécessaires à toute création et ce manque de lisibilité  génère de nombreux doutes sur la qualité artistique des conteurs contemporains. \nPour tenter de construire un premier cadre de référence\, le CMLO a abordé\, dès 2010\, un travail de réflexion et de recherche sur un possible appareil critique de l’art du conteur contemporain. \nLe CMLO propose de prolonger ce travail initial avec le plus grand nombre de personnes. A cet effet il organise un programme de séminaires de novembre 2013 à juin 2014 détaillé ci-après. Chaque séminaire donnera lieu à un compte-rendu. \nAux 11ème Rencontres de Septembre des 20 et 21 septembre 2014\, les conclusions des séminaires et les questionnements  ouvriront à une réflexion élargie. \nCalendrier des séminaires \nProgramme prévisionnel \nCe programme est une ébauche et pourra être modifié en fonction des propositions faites lors du 1er séminaire et des avancées de la réflexion. \nMercredi 13 Novembre 2013   Séminaire d’introduction. \nLimitation de la problématique. Réflexion de la place de l’art du conteur contemporain dans le milieu artistique contemporain et dans l’histoire de l’art. \nMercredi 11 Décembre 2013\nLe conteur : Ses œuvres son œuvre. \nComment définir un style de conteur ? Existe-t-il des courants repérables dans l’art du conte ? La spécificité de l’art du conteur ? \nMercredi 22 Janvier 2014\nLe répertoire du conteur contemporain. \nLes sources\, les tendances\, les intentions. Un art de tradition orale dans une civilisation de l’écrit. \nMercredi 19 Février 2014\nLa programmation de l’art du conte contemporain. \nLes festivals\, les scènes institutionnelles\, les bibliothèques… \nMercredi 12 mars 2014\nLe public de l’art du conte contemporain. \nSa formation. Les outils de diffusion disponibles (revues\, ouvrages\, média divers) – Pour une histoire de l’art du conteur contemporain \nMercredi 9 Avril 2014 \nLes outils de la critique \nComment construire les outils d’une critique ? Comment former des critiques ? Pourquoi critiquer ? \nMercredi 21 Mai 2014\nCatalogues. \nLes différentes formes de prestations. Les différents styles… \nMercredi 18 Juin 2014 \nTentative de synthèse et préparation des contenus du colloque de septembre. \n20 et 21 Septembre 2014 \n11ème Rencontres de Septembre. Quel appareil critique pour l’art du conteur contemporain ?\nColloque de deux jours. \n\n\nPour aller plus loinBibliographie sur la littérature orale et l'appareil critique ► \n\n\n		4420293\n		\n		\n		critique\n		\n		\n        \n		1\n		https://www.euroconte.fr/cmlo.csl\n		50\n		creator\n		asc\n		\n		1\n		\n		1\n		\n		1\n		\n		1\n		title\n		\n        \n        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❧ Ardenne Paul\, Castaing-Taylor Lucien\, Choron-Baix Catherine\, Pasqualino Caterina et Wright Chris\, 2009\, " Performance\, art et anthropologie "\, Musée du Quai Branly Théâtre Claude Lévi-Strauss\, Maison du Quai Branly. \n\n				\n\n				\n\n  ❧ Aubaret Marc\, 2013\, « Du conteur traditionnel au conteur contemporain »\, La Grande Oreille\, 2013\, Avril 2013\, no 53\, p. 79‑80. \n\n				\n\n				\n\n ❧ Author No\, 2 | 2009 Performance\, art et anthropologie\, \, consulté le 22 février 2021. \n\n				\n\n				\n\n  ❧ Berthet Dominique\, 2013\, Pour une critique d’art engagée\, Paris\, Editions L’Harmattan\, 174 p. \n\n				\n\n				\n\n ❧ Cozzolino Francesca\, " Pour une anthropologie de la création "\, Image Re-vues. \n\n				\n\n				\n\n ❧ Ecoffet Carole\, 2018\, " Résidences d'artistes en laboratoire : l'exemple de l'Université de Haute-Alsace "\, Culture & Musées. Muséologie et recherches sur la culture\, 19 décembre 2018\, no 31\, p. 218‑224. \n\n				\n\n				\n\n  ❧ Hindenoch Michel\, 2012\, Conter\, un art ?\, Sermamagny\, Jardin des mots\, 152 p. \n\n				\n\n				\n\n  ❧ Leveratto jean-marc\, 2013\, « Anthropologie du spectacle et savoirs de la qualité » dans \, s.l.\, p. 27‑44.  Download\n\n				\n\n				\n\n  ❧ MARIE PONS CHRISTIAN\, 2005\, Contemporain le Conte ? Il Etait une Fois l An 2000\, Montrǎl\, Planete Rebelle. \n\n				\n\n				\n\n ❧ Martin Serge\, 2013\, " Les fables de la voix en littérature enfantine : actualités du " Raconteur " (Der Erzähler\, 1936) de Walter Benjamin "\, Strenæ. Recherches sur les livres et objets culturels de l'enfance\, 1 septembre 2013\, no 5. \n\n				\n\n				\n\n  ❧ Patrini Maria\, 2002\, Les conteurs se racontent\, Genève\, Suisse\, éd. Slatkine\, 320 p.  Download\n\n				\n\n				\n\n  ❧ Pons Christian-Marie\, 2015\, « DU CONTE À L’ŒUVRE : vers une carte critique. »\, La Grande Oreille\, 2015\, Automne-hiver 2014/2015\, no 59‑60\, p. 196‑201.  Download\n\n				\n\n				\n\n  ❧ Pons Christian-Marie\, 2013\, « Du conte à l’oeuvre »\, La Grande Oreille\, 2013\, Novembre 2013\, no 55\, p. 26‑31. \n\n				\n\n				\n\n ❧ Tackels Bruno\, 2015\, " Faire laboratoire : art\, université\, recherche "\, Hermes\, La Revue\, 30 octobre 2015\, n° 72\, no 2\, p. 117‑124.  Download\n\n				\n\n				\n\n ❧ Tenèze Marie-louise\, 1969\, " Introduction à l'étude de la littérature orale : le conte "\, Annales\, 1969\, vol. 24\, no 5\, p. 1104‑1120. \n\n				\n\n			\n\n		\n\n	\n\n\n\nRessources téléchargeables\n\n\n	\n	3 téléchargements\n\n	\n\n		Appareil critique conteur - Compte rendu Premier séminaire\n\n		Compte rendu premier séminaire \n				\n			Télécharger le fichier			CR-ACC2013.pdf				– 217\,69 Ko
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140618
DTEND;VALUE=DATE:20140618
DTSTAMP:20260405T000509
CREATED:20221205T154758Z
LAST-MODIFIED:20231215T103444Z
UID:10287-1403049600-1403135999@www.euroconte.fr
SUMMARY:Synthèse des travaux - Séminaire 8 -  Appareil critique de l'art du conteur contemporain
DESCRIPTION:Synthèse des travaux – Séminaire 8 – L’appareil critique de l’art du conteur contemporain\nCe séminaire est consacré à la préparation des 11e Rencontres de Septembre  des 20 et 21 septembre 2014. \nA. Les grandes directions pour les Rencontres de Septembre \n1. Qu’est-ce qu’un appareil critique?\n* Définition\n* Utilité\n* Construction \n2. Qu’est-ce qu’une critique artistique?\n* Une analyse d’une prestation\, d’une performance\n* Une manière de situer cette prestation dans l’ensemble du répertoire existant \n3. A quoi sert une critique artistique?\n* Informer un public\n* Former un public\n* Acquérir une culture en la matière\n* Construire des outils de communication capables de situer cette expression artistique parmi les autres expressions artistiques \n4. Pourquoi la littérature orale n’a pas d’appareil critique?\n* Un art nouveau basé sur une expression ancienne\n* Pas d’histoire structurée et disponible de ce renouveau du conte\n* La confusion avec d’autres formes (monologue en théâtre\, on-man-show\, narrations orales diverses n’entrant pas dans le cadre anthropologique de la littérature orale) \n5. Comment former des critiques en littérature orale ?\n* Qu’enseigner?\n* Le cursus\n* Les applications \nB. Les grands thèmes abordés \n1. Qu’est ce qui fait la spécificité de l’art du conte?\n* Art de la narration\n* La relation au public (à l’auditoire)\n* La relation à un répertoire universellement répandu\n* La comparaison aux autres arts\n* Sa longévité \n2. Les limites de l’art du conte\n* Quand passe-t-on au théâtre?\n* Quand passe-t-on au one-man-show? \n3. L’art du conte et la scène\n* Le conteur et la scène\n* Sa mise en scène\n* Sa présence\n* Sa relation au public\n* Son incorporation des personnages\n* …. \n4. Les styles des conteurs\n* Les conteurs fidèles au répertoire traditionnel\n* Les conteurs narrant des récits de vie\n* Les conteurs one-man-show\n* Les conteurs praticiens\n* les conteurs de veillées\n* Les conteurs auteurs \n5. La notion de critique\n* Analyse\n* Situation de création\n* La qualité esthétique\n* La relation au répertoire\n* La cohérence du conteur sur du long terme\n* Des oeuvres à l’oeuvre \n6. L’histoire du néo-contage\n* Son importance pour la critique\n– La capacité à situer une oeuvre dans l’histoire de l’art\n– Le repérage de l’invention et de la reproduction\n– La novation face au répertoire \n* Sa construction\n– Que doit-on repérer?\n– A partir de quelle date ?\n– Analyse des oeuvres fondatrices\n– Analyse des parcours les plus longs et les plus significatifs \n7. La connaissance du répertoire\n* Le répertoire traditionnel\n– Ensemble du répertoire orale\n– Francophone\n– Originaire d’autres langues\, d’autres cultures \n* Le répertoire créé depuis le début du XXe siècle\n– Les contes d’auteurs\n– Les albums\n– les contes de sagesse \nPour aller plus loinBibliographie sur L'appareil critique de l'art du conteur ► \n\n\n		4420293\n		\n		\n		appareil critique\n		\n		\n        \n		1\n		https://www.euroconte.fr/cmlo.csl\n		50\n		creator\n		asc\n		\n		1\n		\n		1\n		\n		1\n		\n		1\n		title\n		\n        \n        12603\n		https://www.euroconte.fr/wp-content/plugins/zotpress/\n\n		\n			\n\n			\n\n		\n\n	\n\n\n\nRessources téléchargeables\n\n	\n	6270 téléchargements\n\n	\n\n		Actes des Rencontres de Septembre 2008 -- Les fonctions éducatives de la littérature orale\n\n		Actes Rencontres Septembre 2008 \n				\n			Télécharger le fichier			1ActesRenc2008.pdf				– 2\,87 Mo\n		\n			\n\n\n\nMarc AubaretEn savoir plus >
URL:https://www.euroconte.fr/event/synthese-des-travaux-seminaire-8-appareil-critique-de-lart-du-conteur-contemporain/
LOCATION:Locaux du CMLO\, 2\, bd Louis Blanc- Espace André Chamson – Place Henri Barbusse -30100 Alès\, 15\, quai Boissier de Sauvages\, ALES\, Gard\, 30100\, France
CATEGORIES:ACC,Archives,Séminaires
ATTACH;FMTTYPE=image/jpeg:https://www.euroconte.fr/wp-content/uploads/2022/11/Eclats-deau.jpg
ORGANIZER;CN="CMLO":MAILTO:isabelle.cerrito@euroconte.org
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